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They walked carefully through the china country. The little animals and all the people scampered out of their way, fearing the strangers would break them, and after an hour or so the travellers reached the other side of the country and came to another wall.

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Senin, 24 Desember 2012

The Godfather of All Podcasts


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Dr. Slumdog or How I Stopped Worrying and Learned to Blog Again

It has been a very trying week for me. On Monday, my wallet, cell phone and iPod were stolen out of my car. I went thru an abbreviated version of the steps of grief or coping or whatever you might call them. When I realized the iPod was gone, I was irritated. It's the second one that's been stolen from me, BOTH gifts from my mother. When I figured out that the wallet with ATM card, driver's license, forty dollars in cash and my cell phone with all my numbers in it were gone, I was enraged. And then when it dawned on me that all my pictures, videos and most importantly text messages from my sweetheart were now in the hands of someone else from whom I would not get them back, I became so depressed, I skipped work for two days. Then I began the process of getting my life back together, cell phone by debit card, one piece at a time. Until I walked into Chase bank this morning. I went to go check on my claim because someone had taken four hundred dollars out of my account on Monday morning and the person over the phone assured me that I would have it back in a few days. However, after sitting and talking to a helpful young man at the branch, he called the claims department and put me on the phone with them. They explained to me they would not be crediting my account and listed a few frivolous reasons as to why they wouldn't. After some back and forth in which they explained they would not be able to help me any further and that they would not re-open my claim, I hug up the phone, calmly closed my account and walked across the street to Bank of America.What does this have to do with movies? I'm getting there.Let's switch topics again for a brief moment and get it out in the open. Terrorism is bad. We can all agree on that, I'm certainly not disputing it, but I want to say it, so everyone knows I'm on board when I say that I really don't concern myself with it. I don't know if it's living on the West Coast or having spent time in the Middle East, but let's table that for now and say I have a far more personal and valid reason for having an unfair prejudice against Middle Easterners. For as long as there is a heavily accented customer service rep NOT servicing me as a customer, I will hold these prejudices. For every slumdog that yells at me because he can't fix my computer, tells me I am eligible for a great new rate on my wireless plan or tells me that checking the ATM camera installed at their branch is "not what they do," I'll lump them in with the terrorists. And some of my very best friends, close friends are Filipino and that's close enough.So, as I was driving home, cursing said slumdog, it occurred to me that if that awful movie's lasting legacy is a racial epithet against the very people the film exploited, then maybe there is some justice in the world. Or as they would call it 'karma.' Is this an outwardly racist post? I don't think so. Does it necessarily have to do with movies? Kinda. But, if it does tell you how movies play a part in forming my world views and shaping my personality, then I think that's a pretty good blog. And maybe I should start doing more of them like this.Unfortunately, I was the one covered in the proverbial shit.

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My Oscar Mission Statement

Last night, while watching The Hurt Locker win Best Picture for the 82nd Academy Awards, my excitement was subdued my the reminder that it’s not the destination, but the journey. And it was a long winding road last night to get The Hurt Locker into the winner’s circle. Lots of people have lobbed criticisms at the Academy for the show and the nominees, the voting/selection/viewing process and the eventual winners. While the Academy does have a host of concerns (pun intended), I am here to help with my guidelines for producing a better Oscar show.We start at the top, with the host. If you’ve listened to my podcast (and you should), then you already know that my choice for host is Robert Downey Jr. Except for Baldwin, can you think of a host whose career and public image has been as low and as high as his? All the obligatory jokes at the audience members would work better because people have a genuine affinity for the man. Everyone in the town loves Downey and people at home love Iron Man.

On that note, he and Tina Fey were the best presenters of the night. Not just because I harbor crushes on both of them, but they engaged in the kind of witty banter that presenters can get away with. More importantly, they represent two types of stars that should present, A-list movie stars and respected industry stars.

No more Disney channels stars (no matter how long Disney owns ABC), no more children or siblings of celebrities, no reality stars and nobody who hasn’t worked in an Academy Award nominated film. Period. It is not that hard to find recognizable actors to give away the biggest prize in the world not named after Alfred Nobel. Presenters for next year will include, but not be limited to – Nicole Kidman, James Caan, Cate Blanchett, James Gandolfini, Anne Hathaway and Bruce Willis.

Furthermore, in continue to embrace the tradition of Oscar, the lifetime achievement awards will be brought back. If you can include a five-minute montage to horror films that inexplicably includes Twilight and excludes Shaun of the Dead, then you can good and goddamn well give five minutes to Lauren Bacall. Oh, and the In Memoriam montage should not exclude ANYBODY! Sure, Farrah Fawcett and Bea Arthur might have been TV stars, but they were in movies as well and when are they going to get another chance to be seen on that stage again?

Speaking of montage, and visual presentation in general, the YouTube mash ups for the best supporting nominations are ridiculous. I remember when you used to watch a movie and there was one scene that made you sit back and say, “There’s the Oscar clip.” It’s cliché for a reason and it needs to return. One clip per nomination. While I quite like the actor-to-actor testimonials for the leading nominations, you must make room somewhere and cutting clips for cinematography is not the place to do it. Removing the song performances could work, but not when you give the Jabbawockees (not even sure I’m using that reference correctly) some cardboard and let them dance through five score nominees. That is counterproductive.

Along with that, some awards can and should be awarded in tandem. Documentaries, long and short, animated, long and short, sound editing/mixing, costume and make-up, even screenplays or effects and art direction can be lumped together for the sake of the average viewer. Picture, director, acting, cinematography and editing should stand alone. Again, this will make more time for other things, including acceptance speeches and the same three commercials I saw all night long.

I know I will take some heat for this, but I must say it anyways. Though I have my own issues with the films of John Hughes, he is without a doubt an important American filmmaker. That being said, he probably does not warrant a fifteen-minute tribute in the middle of the show. Because unless I missed the same tribute last year for Ingmar Bergman, these types of tributes should be consistent or non-existent. The Gene Siskel tribute a few years ago was very effective. But, if Kevin Smith dropped dead tomorrow, I would still not round up Ben Affleck, Jason Lee, Shannon Doherty and Liv Tyler to talk about how he changed the way we looked at the world through his unique vision. I believe it is safe to say that even without last night’s presentation, we won’t forget about John Hughes.

There should be more surprises. Sure, all of us in the blogosphere were surprised at the upsets in the screenplay categories, but that was about it. The lead up to Oscar season takes away from the suspense of Oscar night and though we may be part of the problem by handicapping the races and picking upsets, it is on the Academy to continue to shake things up in both the nominating and selection processes.

The ten Best Picture nominations was a good idea and it did work. As long as we continue to have five director nominations, there will always be five frontrunners for BP, so including five other nominees will only help will mainstream audiences, to highlight movies they haven’t seen and include those they have. You can show love for An Education, while showing love for The Blind Side, but we all know that neither of them is going to win. Picking The Hurt Locker was the right choice. People who think Avatar should have won because it made a lot of money and looked awesome are wrong. Oscar occasionally gets things right and they got it right this year. Which means…

The Academy Awards are awarded to recognize excellence in filmmaking. Not in making popular movies or pretty movies. It’s not about making movies with a message or movies that make stars out of unknowns. Embrace the traditions of Oscar and forget about ratings. It’s on TV anyways, who watches that? More actors, less stars, more films, less movies and more awards winners, less box office winners. Let us get back to what the Oscars really represent and if certain people cannot get on board with that, then leave them at the fucking station.


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Minggu, 23 Desember 2012

Big Mike's Top Films of the Decade, Part 3


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Another Epsiode of the LAMBcast

Last week, my fellow LAMBs and I sat down and recorded another episode of the LAMBcast. I played host for the week and kept egging everyone on with question upon question and then looking for answers for everyone else. It turned into a marathon recording session and nobody seemed to want to give up on it, so we went all Tarantino on it and cut it into two episodes. In Ep. IX (which you can listen to here), we wax about Avatar and surprisingly, nobody really seemed to be in love with it. We play another round of Last Man Standing and turn in about 20 minutes of Trailer Talk, because let's face it, it's a new year and we've got a slew of new movies coming down the pike. Coming soon, you will hear Ep. X which, in a bit good luck, we talk ad nauseam about our top ten flicks for the year. But, more about that later.Thanks to everyone who listens or subscribes on iTunes to the LAMBcast. Unfortunately, I have been told that the hosting site will be going down in February, so we're either looking for a new home or possibly looking for corporate sponsorship, Fight Club-style. Regardless, I'm sure it will all get figured out and we'll keeping bringing you the LAMBcast as long as you keep listening to it.

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Movies I've Seen In 2009

Avatar Away We Go
Extract
Funny People
The Goods - Live Hard, Sell HardHarry Potter and the Half Blood PrinceUnderworld: Rise of the Lycans

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Arrested Wednesdays #7

Though I think that next week we can delve a little deeper into the magical mystery that is Gob, this week's clip is a good taste of things to come. From the third season where Gob is desperately trying to please his father and constantly avoiding his long lost song, he becomes a roller coaster of emotions. You'll see him double cross Michael, while the two of them cry like a couple of school girls. Actually, he's the only one that's crying. Furthermore, in this clip, the beginnings of Tobias' tragic fight with GVH start to take shape. And I don't know how many times my friend Jamie Black has called me Michael in that deep, low gravelly voice. But, every time I hear it, I reminded of this clip and better times.


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